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" And let those that play your clowns, speak no more than is set down for them : for there be of them, that will themselves laugh, to set on some quantity of barren spectators to laugh too ; though, in the mean time, some necessary question of the play... "
Shakespeare and the Modern Stage: With Other Essays - Seite 46
von Sir Sidney Lee - 1906 - 251 Seiten
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Ben Jonson and Possessive Authorship

Joseph Loewenstein - 2002 - 268 Seiten
...theaters, hut the emergence of an author's theater. in uhich a plavwright might plausihly insist that "those that play your clowns speak no more than is set down for them." in which. moreover. players and primers had hegun to compete for access to scripts would have suhstamially...
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The Kendall/Hunt Anthology: Literature to Write About

K. H. Anthol - 2003 - 344 Seiten
...humanity so abominably. /. Play. I hope we have reform 'd that indifferently with us, sir. 41 Ham. O, reform it altogether. And let those that play your clowns speak no more than is set down for them; for there be of them that will themselves laugh to set on some quantity of barren spectators to 45...
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Shakespeare Survey: Volume 56, Shakespeare and Comedy: An Annual Survey of ...

Peter Holland - 2003 - 390 Seiten
...Hamlet uses third person pronouns rather than the direct address of his first two speeches. He says: And let those that play your clowns speak no more than is set down for them - for there be of them that will 4 See Gary Taylor, 'The Structure of Performance: ActIntervals in...
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Reimagining Shakespeare for Children and Young Adults

Naomi J. Miller - 2003 - 348 Seiten
...contributing their own ideas, even during a performance. Hamlet's warning to the traveling players ("And let those that play your clowns speak no more than is set down for them") suggests that at least some of the actors did not approach the text with reverence. Nor did the audience...
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Stage Directions in Hamlet: New Essays and New Directions

Hardin L. Aasand - 2003 - 242 Seiten
..."flights of angels" (5.2.360). Hamlet's contempt for "journeymen" is yet another example of his snobbery. And let those that play your clowns speak no more than is set down for them, for there be of them that will themselves laugh to set on some quantity of barren spectators to laugh...
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So You Want to be a Theatre Director?

Stephen Unwin - 2004 - 256 Seiten
...humanity so abominably. FIRST PLAYER I hope we have reformed that indifferently with us, sir. HAMLET O, reform it altogether. And let those that play your clowns speak no more than is set down for them; for there be of them that will themselves laugh, to set on some quantity of barren spectators to laugh...
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An Antic Disposition: A Medieval Mystery

Alan Gordon - 2004 - 358 Seiten
..."There will be blood?" she asked. "Yes," he said, nodding his head sadly. "There will be blood." ClGHT "And let those that play your clowns speak no more than is set down for them, for there he of them that will themselves laugh, to set on some quantity of harren spectators to laugh...
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The Great Comedies and Tragedies

William Shakespeare - 2005 - 900 Seiten
...imitated humanity so abominably. i PLAYER I hope we have reformed that indifferently with us, sir. HAMLET O reform it altogether, and let those that play your clowns speak no more than is set down for them, for there be of them that will themselves laugh, to set on some quantity of barren spectators to laugh...
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The Spirit of Romance

Ezra Pound - 2005 - 264 Seiten
...represented. That is to say, you had a company of actorauthors, making plays as they spoke them. Hamlet's " O reform it altogether, and let those that play your clowns speak no more than is set down for them," shows that the effects of this custom lasted in England until Shakespear's time, at least in connection...
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Shakespeare Survey: An Annual Survey of Shakespeare Studies and ..., Band 45

Peter Holland - 2005 - 396 Seiten
...instructions in act three, should be strictly supervised lest they overstep the boundaries of drama: 'And let those that play your clowns speak no more than is set down for them' (3.2.34-5). In Hamlet's reformed theatre, it was the dangerous excess of improvised performance, especially...
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