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" Shakespeare that he assumes as an unquestionable principle a position which, while his breath is forming it into words, his understanding pronounces to be false. It is false that any representation is mistaken for reality, that any dramatic fable in its... "
A New Translation of Aristotle's Rhetoric: With an Introduction and Appendix ... - Seite 441
von Aristotle - 1823 - 493 Seiten
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The plays of William Shakspeare, with the corrections and illustr ..., Band 1

William Shakespeare - 1809 - 390 Seiten
...pronounces to be false. It is folse, that any representation is mistaken for reality; that any dramatick fable in its materiality was ever credible, or, for a single moment, was ever credited, The objection arising from the impossibility of passing the first hour at Alexandria, and...
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The Plays of William Shakespeare ...: With the Corrections and ..., Band 1

William Shakespeare - 1809 - 394 Seiten
...position, which, while his breath is forming it into words, his understanding pronounces to be false. It is false, that any representation is mistaken for reality; that any dramatick fable in its materiality was ever credible, or, for a single moment, was ever credited. The...
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The Works of William Shakespeare, Band 1

William Shakespeare - 1810 - 444 Seiten
...position, which while his breath is forming it into words, his understanding pronounces to be false. It is false, that any representation is mistaken for reality ; that any dramatick fable in its materiality was ever credible, or, for a 'single moment, was ever credited....
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The Works of Samuel Johnson, LL.D.: With An Essay on His Life and Genius, Band 2

Samuel Johnson, Arthur Murphy - 1810 - 486 Seiten
...position, which, while his breath is forming it into words, his understanding pronounces to be false. It is false, that any representation is mistaken for reality ; that any dramatick fable in its materiality was ever credible, or, for a single moment, was ever credited. The...
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Historical and critical matter The tempest. Two gentlemen of Verona. Merry ...

William Shakespeare - 1811 - 510 Seiten
...position, which, while his breath is forming it into words, his understanding pronounces to be false. It is false, that any representation is mistaken for reality ; that any dramatick fable in its materiality was ever credible, or, for a single moment, was ever credited. The...
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The Works of William Shakespeare: In Nine Volumes, Band 1

William Shakespeare - 1810 - 436 Seiten
...position, which while his breath is forming it into words, his understanding pronounces to be false. It is false, that any representation is mistaken for reality ; that any dramatick fable in its materiality was ever credible, or, for a single moment, was ever credited. The...
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The dramatic works of William Shakspeare. Whittingham's ed, Band 1

William Shakespeare - 1814 - 532 Seiten
...position, which, while his breath is forming it into words, his understanding pronounces to be false. It is false, that any representation is mistaken for...was ever credible, or, for a single moment, was ever credited. The objection arising from the impossibility of passing the first hour at Alexandria, and...
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Elegant extracts, Band 55

Elegant extracts - 1816 - 1082 Seiten
...position, which, while his breath is forming it into words, his understanding pronounces to be false. It is false, that any representation is mistaken for...was ever credible, or, for a single moment, was ever credited. The objection arising from the impossibility of passing the first hour at Alexandria, and...
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The British Plutarch: Containing the Lives of the Most Eminent ..., Band 2

Francis Wrangham - 1816 - 616 Seiten
...position which, while his breath is forming it into words, his understanding pronounces to be false. It is false, that any representation is mistaken for reality ; that any dramatic fable in it's materiality was ever credible, or for a single moment was ever credited. * The objection, arising...
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The British Plutarch: Containing the Lives of the Most Eminent ..., Band 2

Francis Wrangham - 1816 - 624 Seiten
...position which, while his breath is forming it into words, his understanding pronounces to be false. It is false, that any representation is mistaken for reality ; that any dramatic fable in it's materiality was ever credible, or for a single moment was ever credited. ' The objection, arising...
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