 | William Tenney Brewster - 1925 - 424 Seiten
...plot, worth the name, must be elaborated to its denouement before anything be attempted with the pen. It is only with the denouement constantly in view...incidents, and especially the tone at all points, tend to the development of the intention. There is a radical error, I think, in the usual mode of constructing... | |
 | Edgar Allan Poe - 1926 - 230 Seiten
...plot, worth the name, must be elaborated to its denouement before anything be attempted with the pen. It is only with* the denouement constantly in view that we can give! ja plot its indispensable air of consequence, or causation, I jby making the incidents, and especially... | |
 | Warner Taylor - 1927 - 668 Seiten
...plot, worth the name, must be elaborated to its denouement before anything be attempted with the pen. It is only with the denouement constantly in view...incidents, and especially the tone at all points, tend to the development of the intention. There is a radical error, I think, in the usual mode of constructing... | |
 | Edgar Allan Poe - 1927 - 956 Seiten
...plot, worth the name, must be elaborated to its denouement before anything be attempted with the pen. of vivacity with which he hearkened, or apparently...success of my design. I had arrived at that well-known tend to the development of the intention. There is a radical error, I think, in the usual mode of constructing... | |
 | Franklyn Bliss Snyder, Edward Douglas Snyder - 1927 - 1288 Seiten
...elaborated to its dénouement before anything be attempted with the pen. It is only with the dénouement constantly in view that we can give a plot its indispensable...incidents, and especially the tone at all points, tend to the development of the intention. There is a radical error, I think, in the usual mode of constructing... | |
 | Célestin Pierre Cambiaire - 1927 - 346 Seiten
...l'extraordinaire. " * Then, the French critic quotes Poe's lines : " It is only with the dénouement constantly in view that we can give a plot its indispensable...incidents, and especially the tone at all points, tend to the developement of the intention. " 5 Various divisions of stories or novels could be suggested... | |
 | 1909 - 1118 Seiten
...The Philosophy of Composition, a propos of this solution). It is only with the denouement certainly in view that we can give a plot its indispensable...incidents, and especially the tone at all points, tend to the development of the intention. It follows, therefore, that in a carefully constructed novel,... | |
 | Albert Rothenberg, Carl R. Hausman - 1976 - 388 Seiten
...plot, worth the name, must be elaborated to its denouement before any thing be attempted with the pen. It is only with the denouement constantly in view...incidents, and especially the tone at all points, tend to the development of the intention. There is a radical error, I think, in the usual mode of constructing... | |
 | Edgar Allan Poe, Gary Richard Thompson - 1984 - 1572 Seiten
...plot, worth the name, must be elaborated to its denouement before any thing be attempted with the pen. ht More to terror than delight, This my chamber of...the general character of the English antique. Somet tend to the development of the intention. There is a radical error, I think, in the usual mode of constructing... | |
 | Kerry C. Larson - 1988 - 300 Seiten
...that the artist must begin with his ending, and in Whitman's effort to invest his narrative with an "indispensable air of consequence, or causation, by...the incidents and especially the tone at all points tend to the development of the intention."10 "The Philosophy of Composition" above all affirms the... | |
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Nothing is more clear than that every plot, worth the name, must be elaborated to its denouement before anything be attempted with the pen. It is only with the denouement constantly in view that we can give a plot its indispensable air of consequence,... 
