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" him to attempt an explanation of the 2oth Sonnet, in a manner which is not consistent with sound criticism : " A woman's face, with nature's own hand painted, Hast thou, the master-mistress of my passion.; A 'woman's gentle heart, but not acquainted With... "
The Monthly review. New and improved ser - Seite 182
1800
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Post-colonial Shakespeares

Ania Loomba, Martin Orkin - 1998 - 328 Seiten
...characteristic. 14 II A woman's face, with nature's own hand painted, Hast thou, the master mistress of my passion A woman's gentle heart, but not acquainted With shifting change, as is false women's fashion; (20: 1-4) The young man's beauty is also striking in that it is very specifically...
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Post-colonial Shakespeares

Ania Loomba, Martin Orkin - 1998 - 324 Seiten
...transmissible characteristic.” A woman's face, with nature's own hand painted, Hast thou, the master mistress of my passion — A woman's gentle heart, but not acquainted With shifting change, as is false women's fashion; (20: 1—4) The young man's beauty is also striking in that it is very specifically...
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Shakespeare's Sonnets: Critical Essays

James Schiffer - 2000 - 500 Seiten
...poetiy—”So long lives this, and this gives life to thee” (l8.14) 7 —and a revised rhetorical purpose: “A woman's face, with Nature's own hand painted,...heart, but not acquainted / With shifting change, as is false women's fashion” (20.1-4). Has Shakespeare somehow learned that the woman he was trying to...
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Shakespeare's Sonnets: Critical Essays

James Schiffer - 2000 - 500 Seiten
...poetry—”So long lives this, and this gives life to thee” (l8.l4) 7 —and a revised rhetorical purpose: “A woman's face, with Nature's own hand painted,...A woman's gentle heart, but not acquainted / With shilling change, as is false women's fashion” (20.1-4). Has Shakespeare somehow learned that the...
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The Late Mr. Shakespeare

Robert Nye - 1999 - 428 Seiten
...manual ministrations. It was after this little incident that he wrote sonnet 20, the one that begins A woman's face with nature's own hand painted Hast thou, the Master-Mistress of my passion ... In it, he goes on to say that I was first created to be a woman, till nature fell a-doting over...
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Sonetti

William Shakespeare - 1992 - 220 Seiten
...verse ever live young. xx A woman's face with Nature's own hand painted, Hast thou the Master Mistress of my passion, A woman's gentle heart but not acquainted With shifting change as is false women's fashion, An eye more bright than theirs, less false in rolling, 5 Gilding the object...
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Sonetti

William Shakespeare - 1992 - 220 Seiten
...verse ever live young. XX A woman's face with Nature's own hand painted, Hast thou the Master Mistress of my passion, A woman's gentle heart but not acquainted With shifting change as is false women's fashion, An eye more bright than theirs, less false in rolling, 5 Gilding the object...
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Female & Male Voices in Early Modern England: An Anthology of Renaissance ...

Betty Travitsky, Anne Lake Prescott - 2000 - 434 Seiten
...SONNETS SONNET 20 A woman's face with Nature's own hand painted Has thon, the maste?-mistress of?ny passion; A woman's gentle heart, but not acquainted With shifting change, as is false women's fashion; An eye more bright than theirs, less false in rolling, Gilding the object whereupon...
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A Beginner's Guide to Critical Reading: An Anthology of Literary Texts

Richard Jacobs - 2001 - 504 Seiten
...radically unstable about the way the sonnets present the relationship between Shakespeare and the youth. 20 A woman's face with Nature's own hand painted Hast...heart, but not acquainted With shifting change as is false women's fashion, An eye more bright than theirs, less false in rolling, Gilding the object whereupon...
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Shakespeare's Bawdy

Eric Partridge - 2001 - 312 Seiten
...themselves. But sonnet 20 proves condusively that he was sexually normal.' Here is the impugned sonnet: A woman's face, with Nature's own hand painted, Hast...heart, but not acquainted With shifting change, as is false women's fashion; An eye more bright than theirs, less false in rolling, Gilding the object whereupon...
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