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" Ah! slowly sink Behind the western ridge, thou glorious Sun! Shine in the slant beams of the sinking orb, Ye purple heath-flowers! richlier burn, ye clouds Live in the yellow light, ye distant groves! And kindle, thou blue Ocean! So my friend Struck with... "
Homes and Haunts of the Most Eminent British Poets - Seite 114
von William Howitt - 1856
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Coleridge and the Inspired Word

Anthony John Harding - 1985 - 208 Seiten
...More firmly grounded in an actual scene is the visionary climax of "This Lime-Tree Bower My Prison": So my friend Struck with deep joy may stand, as I...Spirit, when yet he makes Spirits perceive his presence. (PW, i: 180) At such moments — and there are parallel examples in "Reflections on having left a Place...
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William Wordsworth: The Pedlar, Tintern Abbey, the Two-Part Prelude

William Wordsworth - 1985 - 84 Seiten
...to thee! And now, with gleams of half-extinguished thought, With many recognitions dim and faint, 60 On the wide landscape, gaze till all doth seem Less gross than bodily . . . (H.37-4') In both The Pedlar and Coleridge's poem the experience of sharing in the One Life comes...
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The Emergence of Romanticism

Nicholas V. Riasanovsky - 1995 - 128 Seiten
...heath-flowers! richlier burn, ye clouds! Live in the yellow light, ye distant groves! And kindle, thou blue Ocean! So my friend Struck with deep joy may stand,...Almighty Spirit, when yet he makes Spirits perceive his presence.40 "Most musical, most melancholy" bird! A melancholy bird? Oh! idle thought! In Nature there...
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Coleridge and Textual Instability: The Multiple Versions of the Major Poems

Jack Stillinger - 1994 - 268 Seiten
...heath-flowers! richlier burn, ye clouds! Live in the yellow light, ye distant groves! And kindle, thou blue ocean! So my Friend Struck with deep joy may stand,...stood, Silent with swimming sense; yea, gazing round 40 On the wide landscape, gaze till all doth seem 20 blue] dim AA, Myl 22 tract] track AA, AA alt (see...
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Reflecting Senses: Perception and Appearance in Literature, Culture, and the ...

Walter Pape, Frederick Burwick - 1995 - 380 Seiten
..."This Lime-Tree Bower," his senses "swim" as he dreams, and yet sees and hears at the same time, gazing till all doth seem Less gross than bodily; and of...Spirit, when yet he makes Spirits perceive his presence. So in Biograpbia Literaria, he wants the images in poetry to "work by their own force," their grossness...
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Majestic Indolence: English Romantic Poetry and the Work of Art

Willard Spiegelman - 1995 - 234 Seiten
...the sun, flowers, clouds, and ocean which attains the status of a beneficent legacy to Charles Lamb ("So my friend / Struck with deep joy may stand, as I have stood, / Silent with swimming sense" [11. 37-39]). It is, rather, the observation that follows this rapt and transcendent visionary moment....
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Landscape, Liberty and Authority: Poetry, Criticism and Politics from ...

Tim Fulford - 1996 - 274 Seiten
...heath-flowers! richlier burn, ye clouds! Live in the yellow light, ye distant groves! And kindle, thou blue Ocean! So my friend Struck with deep joy may stand,...Spirit, when yet he makes Spirits perceive his presence. (CPW, vol. i, p. 1 79-80; lines 26-43) The poem follows the characteristic movements of Cowper's nature...
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Romanticism and the Androgynous Sublime

Warren Stevenson - 1996 - 166 Seiten
...experienced, at least hypothetically, by both the poet and his "gentle-hearted Charles [Lamb]," or double: So my friend Struck with deep joy may stand as I have...landscape, gaze till all doth seem Less gross than bodily . . . (37-41) Thus a sort of mystic communion of both friends and "the Almighty Spirit, when yet he...
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Strict Metrical Tradition: Variations in the Literary Iambic Pentameter From ...

David Keppel-Jones - 2001 - 304 Seiten
...upon the mind-and with such hues As cloath the Almighty Spirit, when he makes to three lines, thus: On the wide landscape, gaze till all doth seem Less gross than bodily; and of such hues As cloath the Almighty Spirit, when he makes Line 21, p. 192, was originally printed thus: (Now a dim...
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The Cambridge Companion to Coleridge

Lucy Newlyn - 2002 - 292 Seiten
...fall.' His signature at the end of the poem repeats the trope of standing at the centre of the poem: 'So my Friend / Struck with deep joy may stand, as I have stood' (37-8). Coleridge's standing is not merely a perspective on landscape, but rather a moral standing,...
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