 | Edgar Allan Poe, Nathaniel Parker Willis - 1853 - 522 Seiten
...be attempted •with the pen. It js only wjfli the <^CT<?#OT,ffl.if pfvnst.a.nt,1y in view that_we can give a plot its indispensable air of consequence,...incidents, and especially the tone at all points, tend to the development of the intention. There is a radical error, I think, in the usual mode of-eonstruct»'... | |
 | Edgar Allan Poe - 1876 - 522 Seiten
...plot, worth the name, must be elaborated to its denouement before any thing be attempted with the pen. It is only with the denouement constantly in view...incidents, and especially the tone at all points, tend to the development of the intention. There is a radical error, I think, in the usual mode of constructing... | |
 | Edgar Allan Poe - 1879 - 336 Seiten
...plot, worth the name, must be elaborated to its denouement before anything be attempted with the pen. It is only with the denouement constantly in view...consequence, or causation, by making the incidents, and espedaily the tone, at all points, tend to the development of the intention. There is a radical error,... | |
 | 1880 - 798 Seiten
...plot worth the name must be elaborated to its denouement before anything is attempted with the pen. It is only with the denouement constantly in view...give a plot its indispensable air of consequence or accusation by making the iSSo. EDGAR ALLAN POE. September, incidents, and especially the tone at all... | |
 | Edgar Allan Poe - 1882 - 430 Seiten
...plot, worth the name, must be elaborated to its denouement before anything be attempted with the pen. It is only with the denouement constantly in view...incidents, and especially the tone, at all points, tend to the development of the intention. There is a radical error, I think, in the usual mode» of... | |
 | Edgar Allan Poe - 1882 - 226 Seiten
...plot, worth the name, must be elaborated to its denouement before anything be attempted with the pen. It is only with the denouement constantly in view...incidents, and especially the tone at all points, tend to the deveJoprnent of the intention. There is a radical error, I think, in the usual mode of... | |
 | Edgar Allan Poe - 1889 - 360 Seiten
...plot, worth the name, must be elaborated to its denouement before anything be attempted with the pen. It is only with the denouement constantly in view...incidents, and especially the tone at all points, tend to the development of the intention. There is a radical error, I think, in the usual mode of constructing... | |
 | John Phelps Fruit - 1899 - 166 Seiten
...idea to be wrought out. Otherwise there could not be unity, that prime essential of a work of Art. " It is only with the denouement constantly in view...incidents, and especially the tone at all points, tend to the development of the intention." He claims that the proper beginning of a poem is the consideration... | |
 | 1900 - 514 Seiten
...plot, worth the name, must be elaborated to its denouement before anything be attempted with the pen. It is only with the denouement constantly in view...incidents, and especially the tone at all points, tend to the development of the intention. There is a radical error, I think, in the usual mode of constructing... | |
 | 1900 - 496 Seiten
...plot, worth the name, must be elaborated to its denouement before anything be attempted with the pen. It is only with the denouement constantly in view...incidents, and especially the tone at all points, tend to the development of the intention. There is a radical error, I think, in the usual mode of constructing... | |
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Nothing is more clear than that every plot, worth the name, must be elaborated to its denouement before anything be attempted with the pen. It is only with the denouement constantly in view that we can give a plot its indispensable air of consequence,... 
